For those who are contemplating obtaining the book, Arclight hits on some truths about the focus of the book. If you read the sample provided by Masterpoint Press, and the Table of Contexts, you will see that I am offering "a modern approach" to cuebidding that blends the modern "expert" approach (Italian cuebidding, plus Serious 3NT and Last Train to Clarksville) with some new ideas (more defined picture jumps and new follow-up auctions after PJ's, a revision and re-inclusion of the Belladonna 2NT for poor trumps cuebid, Golady, Empathetic Splinters, Flag Bids, unusual "serious 3NT" tools by traditionally weak hands, etc.).
The book was never intended to be Fred's Improving 2/1 GF (one major source for my research) expanded from novellette into a novel. Rather, it was an attempt to expand into undiscussed auctions and to offer suggestions of further improvements to the basic structure of cuebidding.
Actually, I wrote this for myself, in exploring what I thought would work better than what existed, and I note that in the introduction. After I completed this work for myself, I sent it to Ray Lee to see if others might be interested, as I was really excited about what I had worked out. Ray and his wife agreed and were equally excited. Some very notable people also encouraged me to do this. I received encouragement and assistance in this idea from some big names (Eddie Kantar and Larry Cohen, for example).
A large amount of my personal investigation involved developing a complete theory and then testing it against hands bid by the experts who were apparently using conventional wisdom techniques. When I was able to bid more hands to slam competently, or stop at the last making level more often, and others were not (per vugraph records), it seemed that I had developed some good tools. The auctions seemed very clean and easy, with amazing detail discovered.
Experience in actual play, with a very good partner using similar techniques, also convinced me that I had something good put together.
This book is admittedly too advanced for a beginner, and for many intermediates. The introductory material is too simple for those who already understand Belladonna and Gitelman's works, but was added for the brave intermediates who want to give it a try. The meat comes later, in the latter sections.

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