How would you bid this answers on a postcard please
#41
Posted 2005-August-10, 15:50
1Minor=2h=reverse flannery
1Minor =2s=invite in minor, unbalanced very often.
1Minor=jump in other minor is game force in minor unbalanced very often.
1Heart=2s=unknown stiff, 2nt asks.
1Major=Bergen or other versions.
The WJS must come up as the only winning action so rare.
In comp is ok but how often after an opening bid in first or second seat and the opps are silent is this the winning action? My guess is the Opportunity Costs are too high.
Running a simulation seems impossible with all the factors to be considered, opp bidding, opportunity cost of using j/s as something else, etc.
In any event please post your successes so the rest of us can learn, thanks.
#42
Posted 2005-August-10, 17:24
#43
Posted 2005-August-10, 17:49
coyot, on Aug 9 2005, 05:08 PM, said:
1♦-1♥ - (better minor - F1 )
2♣-2♠ - 5-4 or 4441 - GF
2NT-3♥ - stopper - 6card or good 5card.
3NT - pass (no interest, denies doubleton honor in hearts).
Is it definite that responder should pass 3NT (vs. possibly bidding 4D)?
Just an observation, not advocating anything but: here's another hand where the stronger J-S might have made life easier provided that brakes were then applied. And, is 6D (or even 6H or 6NT) such a poor slam?
#44
Posted 2005-August-11, 01:23
luke warm, on Aug 10 2005, 11:24 PM, said:
Jimmy, I'd like to read more about Roland's minor suit structure.
Could you repost it (so I do not have to dig it through the zillion of past BBF posts) or send it to me a private message ?
Thanks a lot !!
#45
Posted 2005-August-11, 01:53
FrancesHinden, on Aug 10 2005, 04:09 PM, said:
Everybody I know in my country (England) who plays weak jump shifts (they aren't that common here) uses them as a constructive tool.
It occurred to me probably too late that the use of boldface font might resemble too much the use of uppercase fonts in internet jargon (e.g. might sound aggressive and "shouting").
This was not my intention.
Usually I employ different fonts in all my posts that are longer than a few paragraphs: the use of different fonts is intended as a way to highlight different sections of the posts , and/or specific paragraphs that I believe are key issues.
In this case I wanted to underline the fact that in the US literature the term "Weak Jump Shift" is intended with a purely preemptive meaning, 05/6, no aces at all (unless vuln) and no AKs outside the long suit.
Some refs I can quickly list:
Max Hardy "Standard bidding for the 21st century"
http://www.bridgeguy...kJumpShift.html
OKBridge 2/1: http://www.annam.co.uk/2-1.html#pjs
(I'll skip here many other minor links that describe the wjs as 0-6 and purely preemptive, they would not add anything to the content of the discussion)
Whether we like it or not, for some topics, the US literature is virtually the only one available on the market (not always the best, but that matters little, if it's the only one), so, to avoid miscommunication, it seems logical to adopt the jargon used in the most widely available documentation.
Since this documentation refers to wjs as totally preemptive, 0-5/6, my guess is that the 4-7 range should not be labeled as "weak" jump shift (since "weak" js is described as a purely preemptive tool in the most widely accepted meaning).
It seeems that the use of 3/4-7 hcp for the JS is more widely used in europe, and, while I would not play this way, I have no objection.
But the point is avoiding miscommunication: if we go on adopting the same term for 2 completely different uses (one destructive, the other constructive), we'll end up nowhere.
Adapting ourselves to the most widely spoken language (whether we like it or not) is a matter of practicality: to make another example, I'd much prefer to write in italian rather than english (which is *your* native language, not mine) but that would not be practical to communicate.
Similarly, I think it would be much more practical if you reconcile to not call "weak" a jumpshift that is actually constructive.
I hope you understood my point even without boldface fonts.
If not, I might have to resort to Italian.
#46
Posted 2005-August-11, 05:22
Chamaco, on Aug 11 2005, 07:53 AM, said:
I've met several old ladies that play it 7-11 and label it weak, so guess
#47
Posted 2005-August-11, 05:38
Fluffy, on Aug 11 2005, 11:22 AM, said:
Chamaco, on Aug 11 2005, 07:53 AM, said:
I've met several old ladies that play it 7-11 and label it weak, so guess
LOL :-)
#48
Posted 2005-August-11, 09:08
Chamaco, on Aug 11 2005, 02:23 AM, said:
Could you repost it (so I do not have to dig it through the zillion of past BBF posts) or send it to me a private message ?
Thanks a lot !!
hi mauro.. ck out this link
http://forums.bridgebase.com/index.php?sho...633&hl=inverted
basically, a jump in the suit following the minor (1c/2d or 1d/2h) is either limit in the minor or very strong hand of your own... then 1c/2c and 1d/2d is game force
after 1c/2d, opener must bid 2h after which responder, by bidding 3c, shows the limit hand... any other bid shows the strong hand.. anything roland wants to add, inferences etc, would be welcome

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