LA(s) after being woken up to misbid EBU
#21
Posted 2013-November-01, 10:27
Which one do I want partner to follow, in general?
Having said that, I wonder if passing 2♥ is illegal. I know it's suggested by the UI - especially if partner *is* going to put me in game if I pull; I don't know if another call is an LA, however. In order to say it is, however, there has to be a call that is legal; usually it's "pass partner's suit". So to say that "pass partner's suit" is requiring an adjustment...
#22
Posted 2013-November-02, 13:22
#23
Posted 2013-November-03, 05:29
RMB1, on 2013-October-31, 11:11, said:
But does the UI demonstrably suggest glaring?
#24
Posted 2013-November-04, 04:31
I don't think pass is a LA, however I've seen 2 of my partners passing out, one of them even let me play 4-1 fit at the 4 level when slam could be on.
#25
Posted 2013-November-04, 09:55
If you want to discuss changing the law, please start a new thread in the appropriate forum.
As for tv, screw it. You aren't missing anything. -- Ken Berg
I have come to realise it is futile to expect or hope a regular club game will be run in accordance with the laws. -- Jillybean
#26
Posted 2013-November-04, 19:04
N/S took their 3 ♠ tricks before they ran away, and with the red Aces as well 3♦ undoubled was -1 for a poor score for N/S, who were generally making 9 tricks in ♥.
Thank you all for the replies above, which have given much food for thought. My own view has been essentially the same as blackshoe's, but I'm not expecting to comment further except on:
Fluffy, on 2013-November-04, 04:31, said:
This seems an extraordinary idea to me: it seems to be saying "let's ignore being woken up to one's misbid by partner's UI, provided it's common enough." Whilst that seems in practice to be the norm in club bridge anyway, it's quite another matter to suggest changing the Laws to accommodate it. Where would you ever draw a line? What's special about transfers?
#28
Posted 2013-November-05, 20:03
PeterAlan, on 2013-November-04, 19:04, said:
It's not the norm where I play. A lot of things Fluffy has said indicate that his bridge playing environment is very different to what you or I or other forums members are used to.
In any case, even if Fluffy's idea were sensible, it's not as simple as a "transfer completion" anyway. In a situation like this, for example, the agreement may not have been properly discussed, or maybe it has been and each partner has a different understanding of what they agreed. Perhaps this partnership have never come across a 2♣ overcall that didn't promise an anchor suit; but the idea that they should be able to sort it out now by communicating via alerts is ludicrous.
#29
Posted 2013-November-07, 16:06
PeterAlan, on 2013-November-04, 19:04, said:
I'm sorely tempted to stick west with a 4♥ bid. Yup it's on and away they go!
What is baby oil made of?
#30
Posted 2013-November-08, 17:40
Vampyr, on 2013-November-05, 20:03, said:
The 2♥ bid is enough communication, since 99% bridge players don't know what a supper accept bidding a side suit is.
To put it bluntly, I've played with my father around 10.000 deals, we have never ever played transfer, we never open 1NT with 5 card majors, yet I would never do a suer accept with what could be taken as a transfer completion, because that is prone to missunderstanding. The alternatives to a bid such as 2♥ not being a missunderstanding are so unlkely that I think laws should specifically ignore them, because even when alert will be UI, it is overruled by the AI of the 2♥ bid.
#31
Posted 2013-November-08, 18:14
Fluffy, on 2013-November-08, 17:40, said:
If the principle is accepted that the laws should "specifically ignore" certain UI situations, the book will have to be twice its size to accommodate all of the situations that certain people believe should be included.
But you are in luck, because when something is unmistakeable from the AI, then the UI ceases to matter. So the question here is, "Was the AI so clear that the UI didn't add significant I?" which is exactly what you want.
#32
Posted 2013-November-15, 10:21