jkdood, on Aug 5 2008, 06:23 PM, said:
"You would (maybe) change your mind on this matter if you would be confront with 68 private messages in 5 seconds about your comment during VU"
Well, more power to the commentators that can manage it!! To me, that's 68 interested helpful involved engaged specs wanting to share with an available "privileged" speaker!!
(I'm sure thoughtful accurate insightful useful comments by the commentator don't "usually" get such an overload

)
Although the number of private messages one receives can at times seem overwhelming, and a small percentage of them are merely irritating, most are either from genuine seekers after knowledge or from helpful people who know the methods being played or have spotted an obvious mistake in one's analysis. I try to reply to all of them (even the irritating ones) but I am sure that I miss a few from time to time, and I apologise to anyone whose insights I have overlooked at critical moments.
As has been suggested, it is highly desirable to have a mixture of commentators who address the more abstruse features of a deal and those who are good at explaining the more basic points. I am hopeless at the latter, which is why it is always a pleasure to work with fellow commentators such as David Bird, Debbie Rosenberg or Sabine Auken, who are very good at it indeed (others also fall into this category). I will try to do better on occasions when such fine commentators are not sharing the "microphone".
It is, I suppose, inevitable that a group such as the BBO commentary team (which must be many hundred strong by now) will develop certain idiosyncrasies, "in-jokes" and the like, which may be off-putting to those who are unaware of them. I don't think it would help to get rid of these altogether, but I certainly think that they should not distract the commentators (and thereby the spectators) from following the play. Again, I will try to improve my own behaviour in this respect.
One tendency that I personally find vexing is when commentators interrupt a deal by informing everyone what is happening at the other table. If people want to go and watch the other table, they can go and watch it - without leaving the current table, thanks to BBO-TV. But suddenly having to analyse the play at two tables at once is a little trying.
Finally, as the originator of the by-now-infamous Burn's Law, I find myself in the position of the American humorist Gelett Burgess. A multi-talented Bostonian who made many contributions to American culture, Burgess achieved overnight fame for this piece of doggerel:
I never saw a Purple Cow.
I never hope to see one.
But I can tell you anyhow,
I'd rather see than be one.
Dismayed when everyone he met would gleefully recite this poem, Burgess wrote a recantation that I often feel like using when the topic of Burn's Law comes up in the course of commentary (which seems to happen with depressing regularity):
Ah yes, I wrote The Purple Cow.
I'm sorry now I wrote it.
But I can tell you anyhow,
I'll kill you if you quote it.