luis, on Nov 13 2005, 10:24 PM, said:
Some assorted comments I have about this system so far:
- The 2 level openings generate a lot of good results for us, the most typical examples are FAST arrivals to games that work as a save against something they can't find or thet prevent them from saving since they have no way to get in.
- The 1 level openings are very good for slam investigations, we are not using Turbo as F&N just normal cuebidding and keycard, no big difference I think.
- For some strange reason some players can't get used to 2♣ showing clubs, one player actually asked if that was legal, it was quite funny.
- After a 1-level opening showing where your values are is sometimes better than showing the distribution of the hand, specially when deciding between 3NT and 4M.
- From time to time we have missed a game when opening at the 2 level
Luis
I think the original FN system is very good for:
- opening at the 2-level with a high frequency: 9-12/13 (even lower bound if 3rd hand) are most frequent;
- handling big hands without worries for interference;
- finding 14+10 hcp (or equivalent) hands.
Some downsides are:
- close games where we have 12 vs 12 (or bad 13 vs good 10/11) are hard to reach (or otherwise, easy to land in a silly one), especially when the bad 13 is opened at the 2 level;
- 2 level opening might lead to wrong partscores
- the 1C opener encompasses contiguous range of balanced hands, which I find non-optimal in contested auctions (especially 4th hand interference); I wonder whether the Mexican 2D coule be inserted in the system without making it too awkward; that would leave only 1 range of balanced hands in the 1C opener.
Indeed, another solution could be to open 2NT on 18-19 hands so that the 1C opener is (when balanced) 15-17 or 20+.
There are quite a few 1st league italian players who are opening 2NT with 18-19 (and using the Mexican 2D with 20-21 hands), so I guess opening 2NT with 18-19 is not such a crime
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To tell the truth about Rosenberg's comment during Vugraph (Fantunes 2-level openings "somewhat unsound but hard to play against"), I suspect that several of his comments were more motivated by emotional reasons rather than anything else: another example of this type of comment was when he stated that he always found the italian cuebidding style as unsound.
And these examples were not the only ones.
But who am I to argue with Rosenberg ?
"Bridge is like dance: technique's important but what really matters is not to step on partner's feet !"