What makes bridge so exciting, is the variety of aspects like bidding and play theory, different forms of competition and also psychology.
I am very interested in the last part.
We had already a thread about the "perfect" partner. I would like to discuss some other things:
I) Table presence
- what is it?
- has it or could it have every player?
- can it be trained?
- how important is it for a good competition?
- has every topclass player a better table presence as for example the average player?
II) Intuition
- is it the same like table presence?
- is there a difference between female and male intuition?
- is it just a fe-/male "excuse" for a spectacular bid or play?
III) Knowledge of men
- does it help if you have a good "feeling" what kind of opps you face right now?
IV) More general: how much can one rely on those points?
V) Do you / your partners accept the above mentioned points as part of the game?
to I): I understand it as a sense to recognize vibrations like a slight hesitation or move of opps when for example a finesse is played. Does one or both opps feel uncomfortable in a special play situation?
I do NOT mean the hesitation during bidding which may be an unauthorized information.
to II), happened in real life:
a.) You have the feeling that 6 in a minor is the best contract but you have not enough system agreements to ask for everything you want to know, and you cannot not bid 6 yourself. You think to know your partner, in other situations you are on the same wavelength, and so you bypass 3NT, bid 5 in the minor, somehow "knowing" your p bids 6 if he has a bit more than promised (matchpoint tourney, 5 in a minor is most of the time a zero). He bids 6, made
b.) You play NT, lead is the 7 and you hold
Qxx (dummy) vs. A8x (hand)
Every cell of your body tells you that the K is behind the Q, so the trick is
7 LOW 10 LOW. Next trick:
K A x x
c.) RHO opened 1♦ and I held in red AQ9xx Jx Axxx xx. My feeling told me to pass, but I bid 1♠, checking that the suit quality test said I can (=7). I finally played 1♠ dbl -2
The postmortem in the 2 first cases was funny, in a.) something like "yes, yes, female intuition...", in b.) "How did you play that suit, that was weird". All other protagonists were men, good players.
I do not very often play what my feeling tells me because I do not really love to loose the postmortem
To III) Sometimes I read in Reeses books "Play these hands with me" etc. At the beginning he often says something like (I forgot the original text!) "Against 2 little old ladies..." or "Against 2 young ambitious but unknown players.." or so. Is it helpful to create a picture of the opposition? Imo not. I found out that it does not help neither to be overoptimistic of the own skills nor to be too pessimistic or shy when you know you play against strong opposition. The weak may play a top or the strong may get a zero, who knows at the beginning?
To IV) I don't think that anybody made an evaluation on this
To V) Depends
This was again a long one... I cannot walk because of a little accident; and I am Creme Brulee right now, what is an obligation
Caren

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